An Evening Stroll

In the middle of the Covid pandemic, an Ekphrastic poem contest presented a painting of a elegantly dressed woman, walking in a city covered in fog, wearing a brilliant scarlet gown.  Wispy fog covers her face, and parts of her body, so the observer can only see her torso and her left hand holding part of her dress, presumably to keep the bottom hem off the pavement as she walked.  Her face, right side and feet are obscured by the fog, as are other background elements.  Some trees are visible to her right and a faint outline of some multistoried buildings behind her, suggesting an urban setting. 

Some questions arise:  Who is she?  Where is she? What is her destination?  Why is she walking alone in such finery?  Even in clear sunshine, we may not be able to answer those questions, unless we spotted a well-known face or landmark to go by.  The whole portrait is beclouded in mystery, perhaps recalling the London fog in Jack the Ripper days.  

My poem submission described what I saw and felt, but failed to answer any of the questions.

An Evening Stroll

An evening stroll
Wearing a ball gown,
Elegant style,
Silken scarlet,
Blurred by wispy fog
Competing for attention.

Where is she going?
Why is she alone?
Does she wear a mask?
Does anyone care?

A pandemic thrives
In gatherings of
Tied dyed tees,
Red ball gowns,
No place to hide.
No place to go.

An Emperor’s Smile

In an ekphrastic poem submission, I had written a poem stimulated by a sculpture, or a painting of a sculpture, depicting an old man with a chiseled face sporting a aquiline nose and a scowl — a most unhappy guy appearing to have the weight of the world on his brow.  The painting contained no background information regarding who it represented or the era in which he lived.  So, I had to imagine the identity of the subject, and the meaning the artist intended — using my imagination.  

After spending some time seeking to identify the subject, without success, I imagined the sculpture image to be a troubled Roman emperor near the end of his reign, and the artist’s attempt to portray the Emperor in a favorable light — lest he be dispatched to the Roman Coliseum for the sport of feeding the lions.  The poor sculptor or painter had to be worried.  Hence, he engaged the grumpy emperor to smile, a little.  

An Emperor’s Smile

The artist studied his subject:
Sitting still, mind elsewhere.
“Emperor, try to look 
Happy and smile, a little.”

“I can’t smile, life is hard,
Full of pain and sorrow.
Enemies plot my death
My subjects think me cruel.”

The artist painted true
Leaving the eyes and mouth
Last, pleading once more:
“Please, just a little smile.”

“Paint me as I appear!
I have no cause to smile.
No one cares or loves me,
My final days are near.”   

”But reflect on your youth,
When young love brought joy.”
A fleeting, wistful grin —
Vanished, his scowl returned.

Of course, I do not know how the session ended, but I suspect the artist survived the unveiling of the art work.